SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 17
... to what we have taken to be the mood of a play . ... from day to day , Visit the speechless sick , and still converse With groaning wretcheslightly as it is taken , is still a reminder of a world that contains much more than wooing ...
... to what we have taken to be the mood of a play . ... from day to day , Visit the speechless sick , and still converse With groaning wretcheslightly as it is taken , is still a reminder of a world that contains much more than wooing ...
Pagina 39
... may be taken as pointing forward to fundamental recognitions to be found in Shakespeare's later work . ... Whose worth's unknown , although his height be taken( CXVI ) is , as yet , set over against what the imagination has made ...
... may be taken as pointing forward to fundamental recognitions to be found in Shakespeare's later work . ... Whose worth's unknown , although his height be taken( CXVI ) is , as yet , set over against what the imagination has made ...
Pagina 240
Historical matter taken over from the chroniclers ( as later from Plutarch ) set limits and — to some extent - determined direction . But in art material is not simply ' taken over ' ; it only exists as treated ; and it seems clear that ...
Historical matter taken over from the chroniclers ( as later from Plutarch ) set limits and — to some extent - determined direction . But in art material is not simply ' taken over ' ; it only exists as treated ; and it seems clear that ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words