SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 114
... suggest how this is so , to relate the insights operative here to those already touched on , it is necessary to step back from the play and to see it in the wider context of Shakespeare's develop- ment as a whole . Although in recent ...
... suggest how this is so , to relate the insights operative here to those already touched on , it is necessary to step back from the play and to see it in the wider context of Shakespeare's develop- ment as a whole . Although in recent ...
Pagina 157
... suggest how the play develops the theme - the relationship between self and world -- that is our present concern . Othello , we may say , defines the peculiar weakness . and vulnerability - the capacity for being deceived- of a ...
... suggest how the play develops the theme - the relationship between self and world -- that is our present concern . Othello , we may say , defines the peculiar weakness . and vulnerability - the capacity for being deceived- of a ...
Pagina 246
... suggest the main lines of a pattern of development ; and clearly there are dominant interests that connect one play to another , even though other plays that ( so far as we can tell ) come between may show a more or less complete ...
... suggest the main lines of a pattern of development ; and clearly there are dominant interests that connect one play to another , even though other plays that ( so far as we can tell ) come between may show a more or less complete ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words