SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 57
stand for are the subject of frequent exposition , debate and explicit comment [ 3 ] . We shall not do violence to the play or wrench its total meaning if we hinge our analysis on three of the major sequences in which there is a ...
stand for are the subject of frequent exposition , debate and explicit comment [ 3 ] . We shall not do violence to the play or wrench its total meaning if we hinge our analysis on three of the major sequences in which there is a ...
Pagina 65
What matters is ' will ' , and what the will has once ' elected ' ' honour ' demands that it shall stand by . The scene has a livelier dramatic interest than can appear from quotation or summary . But what is significant for us in the ...
What matters is ' will ' , and what the will has once ' elected ' ' honour ' demands that it shall stand by . The scene has a livelier dramatic interest than can appear from quotation or summary . But what is significant for us in the ...
Pagina 148
Those written before Lear stand firmly enough in their own right , but behind some of the most significant of them there is an insistent and unresolved questioning . It is implied in the measured declamation of Agamemnon : The ample ...
Those written before Lear stand firmly enough in their own right , but behind some of the most significant of them there is an insistent and unresolved questioning . It is implied in the measured declamation of Agamemnon : The ample ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words