SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 11
As for the actual conditions of stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may ...
As for the actual conditions of stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may ...
Pagina 102
When we are born , we cry that we are come To this great stage of fools . The force and bitterness of ' this great stage of fools ' takes this far beyond the accepted commonplaces on the new born infant's tears [ 25 ] : for Lear ...
When we are born , we cry that we are come To this great stage of fools . The force and bitterness of ' this great stage of fools ' takes this far beyond the accepted commonplaces on the new born infant's tears [ 25 ] : for Lear ...
Pagina 239
Shakespeare's scene is in the spirit of Sir Thomas More's account of the same event in The History of King Richard III : - ' And in a stage play all the people know right well that he that playeth the Sultan is percase a souter ...
Shakespeare's scene is in the spirit of Sir Thomas More's account of the same event in The History of King Richard III : - ' And in a stage play all the people know right well that he that playeth the Sultan is percase a souter ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words