SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 11
... stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may be summed up by saying that the stage ...
... stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may be summed up by saying that the stage ...
Pagina 102
... stage of fools . The force and bitterness of ' this great stage of fools ' takes this far beyond the accepted commonplaces on the new born infant's tears [ 25 ] : for Lear , at this point , life is a meaningless comedy of pain . But no ...
... stage of fools . The force and bitterness of ' this great stage of fools ' takes this far beyond the accepted commonplaces on the new born infant's tears [ 25 ] : for Lear , at this point , life is a meaningless comedy of pain . But no ...
Pagina 239
... stage tyrant's tortores ) might hap to break his head , and worthy , for marring of the play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds ...
... stage tyrant's tortores ) might hap to break his head , and worthy , for marring of the play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words