SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 27
Indeed , so far as any one speech can , it sums up Shakespeare's view of the public world at this stage of his career . King John , it is true , is not an entirely satisfactory play . At the end the English lords , who have revolted ...
Indeed , so far as any one speech can , it sums up Shakespeare's view of the public world at this stage of his career . King John , it is true , is not an entirely satisfactory play . At the end the English lords , who have revolted ...
Pagina 115
The correspondences between mind and natural forms and natural processes is attested by common speech as well as by the poets . Just as it is with peculiar rightness that George Herbert can say , ' And now in age I bud again ' , or that ...
The correspondences between mind and natural forms and natural processes is attested by common speech as well as by the poets . Just as it is with peculiar rightness that George Herbert can say , ' And now in age I bud again ' , or that ...
Pagina 161
What we have to notice here is that Iago's mode of speech is at the opposite pole from Othello's . It is idiomatic , whereas Othello's is rhetorical ; it is realistic , drawing readily on the commonplace and everyday , whereas Othello's ...
What we have to notice here is that Iago's mode of speech is at the opposite pole from Othello's . It is idiomatic , whereas Othello's is rhetorical ; it is realistic , drawing readily on the commonplace and everyday , whereas Othello's ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words