SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 27
... speech as a whole , with its racy colloquial turns and shrewd realism , is the pivot on which the play turns . Indeed , so far as any one speech can , it sums up Shakespeare's view of the public world at this stage of his career . King ...
... speech as a whole , with its racy colloquial turns and shrewd realism , is the pivot on which the play turns . Indeed , so far as any one speech can , it sums up Shakespeare's view of the public world at this stage of his career . King ...
Pagina 137
... speech in which this phrase occurs ( Iv . xii . 9-30 ) is one of the pivotal things in the play . In its evocation of an appalled sense of insubstantiality it ranks with Macbeth's , ' My thought , whose murder yet is but fantastical ...
... speech in which this phrase occurs ( Iv . xii . 9-30 ) is one of the pivotal things in the play . In its evocation of an appalled sense of insubstantiality it ranks with Macbeth's , ' My thought , whose murder yet is but fantastical ...
Pagina 161
... speech is at the opposite pole from Othello's . It is idiomatic , whereas Othello's is rhetorical ; it is realistic , drawing readily on the com- monplace and everyday , whereas Othello's is exotic ; and it conveys a persistent animus.1 ...
... speech is at the opposite pole from Othello's . It is idiomatic , whereas Othello's is rhetorical ; it is realistic , drawing readily on the com- monplace and everyday , whereas Othello's is exotic ; and it conveys a persistent animus.1 ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words