SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 213
( In the Furness Variorum edition the text completely disappears for a couple of pages whilst a footnote marshals conflicting interpretations of the opening and general tenor ; at a rough estimate the 34 lines of the soliloquy have some ...
( In the Furness Variorum edition the text completely disappears for a couple of pages whilst a footnote marshals conflicting interpretations of the opening and general tenor ; at a rough estimate the 34 lines of the soliloquy have some ...
Pagina 222
What the soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of consciousness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region where ...
What the soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of consciousness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region where ...
Pagina 225
Since the author of Henry IV , Part I , was not likely to be uncritical of such ' honour ' , nor to believe that the ambition prompting Fortinbras was indeed divine , the purpose of the soliloquy can only be to define one further stage ...
Since the author of Henry IV , Part I , was not likely to be uncritical of such ' honour ' , nor to believe that the ambition prompting Fortinbras was indeed divine , the purpose of the soliloquy can only be to define one further stage ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words