SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 17
Well , we mean to start with what a sharpened common sense , an awareness of motives and of the way things hang together , show them to be . Yet it is still elementary ( though not on that account unnecessary ) to remind ourselves that ...
Well , we mean to start with what a sharpened common sense , an awareness of motives and of the way things hang together , show them to be . Yet it is still elementary ( though not on that account unnecessary ) to remind ourselves that ...
Pagina 72
It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its limitations . But what of Troilus and his love ? Professor Wilson Knight says , ' It is the arch - enemy , Time , that ...
It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its limitations . But what of Troilus and his love ? Professor Wilson Knight says , ' It is the arch - enemy , Time , that ...
Pagina 121
It is because she is fully human - though there are also potent suggestions of divine grace - that she is ' natural ' in a different sense from that intended in Edmund's philosophy . Her sense of the bounty of nature ( of our sustaining ...
It is because she is fully human - though there are also potent suggestions of divine grace - that she is ' natural ' in a different sense from that intended in Edmund's philosophy . Her sense of the bounty of nature ( of our sustaining ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words