SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 53
... seems momentarily to go beyond the prevailing mood of the play ( it is a note more appropriate to Lear or Macbeth [ 14 ] ) , it is not discordant with that mood which , even without this vision of anarchy , is sombre enough . Henry IV ...
... seems momentarily to go beyond the prevailing mood of the play ( it is a note more appropriate to Lear or Macbeth [ 14 ] ) , it is not discordant with that mood which , even without this vision of anarchy , is sombre enough . Henry IV ...
Pagina 72
L.C. KNIGHTS. questioning . Why , Shakespeare seems to be asking , has time its apparently overwhelming power ? The ... seem inevitable and connected aspects of a single situation ' . My own feeling is that the play takes us further ...
L.C. KNIGHTS. questioning . Why , Shakespeare seems to be asking , has time its apparently overwhelming power ? The ... seem inevitable and connected aspects of a single situation ' . My own feeling is that the play takes us further ...
Pagina 243
... seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ... seems to me to give excellent sense to a passage usually labelled corrupt . Lord Bardolph says , in effect , ' Yes ...
... seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ... seems to me to give excellent sense to a passage usually labelled corrupt . Lord Bardolph says , in effect , ' Yes ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words