SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 19
... scene in Richard III ( III , vii ) in which Gloucester , suitably discovered at his devotions between a couple of bishops , pretends reluctance to take the crown , offered to him as the result of a carefully rigged meeting at the ...
... scene in Richard III ( III , vii ) in which Gloucester , suitably discovered at his devotions between a couple of bishops , pretends reluctance to take the crown , offered to him as the result of a carefully rigged meeting at the ...
Pagina 43
... scene is attuned to the appearance of a Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that ...
... scene is attuned to the appearance of a Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that ...
Pagina 182
... scene i - the scene with the grave - diggers . Here , as so often in Shakespeare , a dominant theme entwined in a complex action is for a short space given full and exclusive prominence . • . • a What is he that builds stronger than ...
... scene i - the scene with the grave - diggers . Here , as so often in Shakespeare , a dominant theme entwined in a complex action is for a short space given full and exclusive prominence . • . • a What is he that builds stronger than ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words