SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 43
Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems ...
Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems ...
Pagina 53
In Act I , scene i , Northumberland , finding physic in the poison of ill news , throws away his crutch and ' sickly quoif ' . Now bind my brows with iron ; and approach The ragged'st hour that time and spite dare bring To frown upon ...
In Act I , scene i , Northumberland , finding physic in the poison of ill news , throws away his crutch and ' sickly quoif ' . Now bind my brows with iron ; and approach The ragged'st hour that time and spite dare bring To frown upon ...
Pagina 182
scene , through the re - enactment of the murder by the Players , to the rhetorical question of Fortinbras at the end , O proud Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of ...
scene , through the re - enactment of the murder by the Players , to the rhetorical question of Fortinbras at the end , O proud Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words