SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 94
From now on the question put to Lear , which is indeed the question posed by the whole play , is how to cope with the world so revealed , with the self so revealed . It can of course be said that Lear does not cope at all , since from ...
From now on the question put to Lear , which is indeed the question posed by the whole play , is how to cope with the world so revealed , with the self so revealed . It can of course be said that Lear does not cope at all , since from ...
Pagina 127
It is revealed above all as a defection from life and reality . So that in vent'ring ill we leave to be The things we are for that which we expect ; And this ambitious foul infirmity , In having much , torments ...
It is revealed above all as a defection from life and reality . So that in vent'ring ill we leave to be The things we are for that which we expect ; And this ambitious foul infirmity , In having much , torments ...
Pagina 192
Hamlet's state of mind , the Hamlet consciousness , is revealed not only at the level of formulable motive , but in its obscure depths ; and it is revealed through the poetry . In the second place , the judgment of which I spoke is not ...
Hamlet's state of mind , the Hamlet consciousness , is revealed not only at the level of formulable motive , but in its obscure depths ; and it is revealed through the poetry . In the second place , the judgment of which I spoke is not ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words