SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 13
These are not ' abstract themes ' , ' philosophical concepts ' , or ' bare general propositions ' ; they represent a set or slant of interest that springs from and engages the concern of the personality as a whole ; and although that ...
These are not ' abstract themes ' , ' philosophical concepts ' , or ' bare general propositions ' ; they represent a set or slant of interest that springs from and engages the concern of the personality as a whole ; and although that ...
Pagina 15
They emerge from the plays because Shakespeare was trying not merely to represent ' life ' but to make sense of it , to find meaning and significance . They represent answers - or attempts at answers - to urgent questions , and are ...
They emerge from the plays because Shakespeare was trying not merely to represent ' life ' but to make sense of it , to find meaning and significance . They represent answers - or attempts at answers - to urgent questions , and are ...
Pagina 59
The speech , it is true , is one to keep hold of in reading the play as representing , in its way , a positive . ... embodies the order that is talked about ; none has the right to represent the integration for which Ulysses pleads .
The speech , it is true , is one to keep hold of in reading the play as representing , in its way , a positive . ... embodies the order that is talked about ; none has the right to represent the integration for which Ulysses pleads .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words