SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 118
And between ' natural law ' as traditionally understood ( i.e. , reason ) and the law of nature by which , as Falstaff lightly remarked , the young dace is a bait for the old pike , there is an absolute distinction .
And between ' natural law ' as traditionally understood ( i.e. , reason ) and the law of nature by which , as Falstaff lightly remarked , the young dace is a bait for the old pike , there is an absolute distinction .
Pagina 153
... once you are in the play , to be sure of the right direction . And it is not many months since a writer in the Listener remarked that ' every fresh critic who sets out to define the intentions of the author of Hamlet ends up in ...
... once you are in the play , to be sure of the right direction . And it is not many months since a writer in the Listener remarked that ' every fresh critic who sets out to define the intentions of the author of Hamlet ends up in ...
Pagina 193
There is , I remarked , a terrible significance in that all . Now Hamlet's exclusive concentration upon things rank and gross and his consequent recoil from life as a whole determine his attitude to death , which also is purely one of ...
There is , I remarked , a terrible significance in that all . Now Hamlet's exclusive concentration upon things rank and gross and his consequent recoil from life as a whole determine his attitude to death , which also is purely one of ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words