SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 56
... remarked that Shakespeare does not deal with his themes in the manner of one embarking on a dispassionate enquiry into the sources of self - deceit and the domination of men by appearances . All we can say is that the way experience ...
... remarked that Shakespeare does not deal with his themes in the manner of one embarking on a dispassionate enquiry into the sources of self - deceit and the domination of men by appearances . All we can say is that the way experience ...
Pagina 153
... remarked that ' every fresh critic who sets out to define the intentions of the author of Hamlet ends up in his own particular dead - end in queer street ' . So the hazards are , it seems , considerable . Let me , therefore , call ...
... remarked that ' every fresh critic who sets out to define the intentions of the author of Hamlet ends up in his own particular dead - end in queer street ' . So the hazards are , it seems , considerable . Let me , therefore , call ...
Pagina 211
... remarked that ' his sincerity had no living root of affection ' ; and again , that ' the searcher after truth must love and be beloved ' . For the creative power of the mind depends in the last resort on a deep underlying state which ...
... remarked that ' his sincerity had no living root of affection ' ; and again , that ' the searcher after truth must love and be beloved ' . For the creative power of the mind depends in the last resort on a deep underlying state which ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words