SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 43
... references to age and disease , as the references to Falstaff's corpulence are turned in Part I , in the direction of comedy [ 5 ] . Later , Falstaff will try again his familiar tactics of evasion- ' Peace , good Doll ! do not speak ...
... references to age and disease , as the references to Falstaff's corpulence are turned in Part I , in the direction of comedy [ 5 ] . Later , Falstaff will try again his familiar tactics of evasion- ' Peace , good Doll ! do not speak ...
Pagina 243
... references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ...
... references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ...
Pagina 252
... References to Enid Welsford , The Fool : his Social and Literary History , are to pp . 253 ff . I am conscious of a very considerable debt to Miss Welsford's promptings . 24. For Kent , Lear is not only the embodiment of ' authority ...
... References to Enid Welsford , The Fool : his Social and Literary History , are to pp . 253 ff . I am conscious of a very considerable debt to Miss Welsford's promptings . 24. For Kent , Lear is not only the embodiment of ' authority ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words