SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 64
... reason ' , divorced from feeling and intuitive intelligence . The Trojans are their complementary opposite . Corresponding to the meeting of the Greek generals in the first act is the Trojan council in the second . The question is ...
... reason ' , divorced from feeling and intuitive intelligence . The Trojans are their complementary opposite . Corresponding to the meeting of the Greek generals in the first act is the Trojan council in the second . The question is ...
Pagina 65
... reason - ' Nay , if we talk of reason , let's shut our gates and sleep ' ( II . ii . 46-7 ) —we need not waste time trying to find a moral or psychological system that will make sense of the ' traded pilots ' and the ' dangerous shores ...
... reason - ' Nay , if we talk of reason , let's shut our gates and sleep ' ( II . ii . 46-7 ) —we need not waste time trying to find a moral or psychological system that will make sense of the ' traded pilots ' and the ' dangerous shores ...
Pagina 70
... reason ' - has been finally shown as subject to time and change . And he now embodies in his own person the disorder ... reason can revolt Without perdition , and loss assume all reason Without revolt : this is , and is not , Cressid ...
... reason ' - has been finally shown as subject to time and change . And he now embodies in his own person the disorder ... reason can revolt Without perdition , and loss assume all reason Without revolt : this is , and is not , Cressid ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words