SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 74
... must first turn from the question of ' human nature ' to that of the wider ' Nature ' within which human life has its setting . In our own ' philosophies of life ' , as in the play , the two questions prove in the long 74 King Lear.
... must first turn from the question of ' human nature ' to that of the wider ' Nature ' within which human life has its setting . In our own ' philosophies of life ' , as in the play , the two questions prove in the long 74 King Lear.
Pagina 93
... question in which Lear's self - revelation came to a head- ' Which of you shall we say doth love us most ? ' Then the question was asked in a tone that implied the expectation of a gratifying answer : the leisurely and expansive rhythm ...
... question in which Lear's self - revelation came to a head- ' Which of you shall we say doth love us most ? ' Then the question was asked in a tone that implied the expectation of a gratifying answer : the leisurely and expansive rhythm ...
Pagina 210
... questions concerning the authenticity of the Ghost or the means whereby Claudius may be trapped are subordinate to it . Ham- let's question , the question that he is continually asking himself , is , How can I live ? What shall I do to ...
... questions concerning the authenticity of the Ghost or the means whereby Claudius may be trapped are subordinate to it . Ham- let's question , the question that he is continually asking himself , is , How can I live ? What shall I do to ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words