SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 93
The question of ' true need ' has already been given some prominence ( II . iv . 266-73 ) ; posed in this setting only the truth will serve . How dost , my boy ? Art cold ? I am cold myself . Where is this straw , my fellow ?
The question of ' true need ' has already been given some prominence ( II . iv . 266-73 ) ; posed in this setting only the truth will serve . How dost , my boy ? Art cold ? I am cold myself . Where is this straw , my fellow ?
Pagina 171
The question that we find ourselves pondering , therefore , as we read this play , is - In what ways is a statement , true in itself , like Timon's account of his false friends , vitiated by a failure of integrity in the person making ...
The question that we find ourselves pondering , therefore , as we read this play , is - In what ways is a statement , true in itself , like Timon's account of his false friends , vitiated by a failure of integrity in the person making ...
Pagina 210
If we are true to our direct impressions we must admit that that is Hamlet's problem , and questions concerning the authenticity of the Ghost or the means whereby Claudius may be trapped are subordinate to it . Hamlet's question , the ...
If we are true to our direct impressions we must admit that that is Hamlet's problem , and questions concerning the authenticity of the Ghost or the means whereby Claudius may be trapped are subordinate to it . Hamlet's question , the ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words