SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 48
... present to us , built up little by little with unobtrusive art . But the scene is drenched in memory . In the first fifty lines , as Shallow recalls the poor pranks of his mad days at Clement's Inn , the exploits of young Jack Falstaff ...
... present to us , built up little by little with unobtrusive art . But the scene is drenched in memory . In the first fifty lines , as Shallow recalls the poor pranks of his mad days at Clement's Inn , the exploits of young Jack Falstaff ...
Pagina 63
... present eye praises the present object : Then marvel not , thou great and complete man , That all the Greeks begin to worship Ajax ; Since things in motion sooner catch the eye Than what not stirs . The cry went once on thee , And still ...
... present eye praises the present object : Then marvel not , thou great and complete man , That all the Greeks begin to worship Ajax ; Since things in motion sooner catch the eye Than what not stirs . The cry went once on thee , And still ...
Pagina 157
... present concern . Othello , we may say , defines the peculiar weakness . and vulnerability - the capacity for being deceivedof a particular attitude to life . That attitude is defined and made present to our imaginations through a mode ...
... present concern . Othello , we may say , defines the peculiar weakness . and vulnerability - the capacity for being deceivedof a particular attitude to life . That attitude is defined and made present to our imaginations through a mode ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words