SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 37
... poet in a meditation of a very different kind . Here , then , is Sonnet CII , which deals with the relationship of poet and patron , followed by Sonnet LX , which is one of many whose ostensible purpose is to promise a poetic ...
... poet in a meditation of a very different kind . Here , then , is Sonnet CII , which deals with the relationship of poet and patron , followed by Sonnet LX , which is one of many whose ostensible purpose is to promise a poetic ...
Pagina 216
... poetic meaning . Now there are passages in Shakespeare ( as indeed in other poets ) where even this tentative and exploratory procedure is of a very limited usefulness indeed , for what we are given is not the poetic apprehension of ...
... poetic meaning . Now there are passages in Shakespeare ( as indeed in other poets ) where even this tentative and exploratory procedure is of a very limited usefulness indeed , for what we are given is not the poetic apprehension of ...
Pagina 237
... poet cannot create characters of the greatest intensity of life unless his personages , in their reciprocal actions and ... poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. McManaway and others ( The Folger ...
... poet cannot create characters of the greatest intensity of life unless his personages , in their reciprocal actions and ... poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. McManaway and others ( The Folger ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words