SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 35
... poet that he is . But buoyancy alone never made a great poet , let alone a great tragic poet . Great poetry demands a willingness to meet , experience and contemplate all that is most deeply disturbing in our common fate . The sense of ...
... poet that he is . But buoyancy alone never made a great poet , let alone a great tragic poet . Great poetry demands a willingness to meet , experience and contemplate all that is most deeply disturbing in our common fate . The sense of ...
Pagina 147
... poet , without being at the same time a profound philosopher ' , claimed that Shakespeare was ' the guide and the pioneer of true philosophy ' . It is a large claim , for clearly Shakespeare is not a philosophic poet in the sense in ...
... poet , without being at the same time a profound philosopher ' , claimed that Shakespeare was ' the guide and the pioneer of true philosophy ' . It is a large claim , for clearly Shakespeare is not a philosophic poet in the sense in ...
Pagina 237
... poet . ' I suppose that this , from T. S. Eliot's essay on John FordSelected Essays ( 1932 ) , p . 196 - would now be generally accepted . It is in this essay that Mr Eliot speaks of the different works of a great poet as ' united by ...
... poet . ' I suppose that this , from T. S. Eliot's essay on John FordSelected Essays ( 1932 ) , p . 196 - would now be generally accepted . It is in this essay that Mr Eliot speaks of the different works of a great poet as ' united by ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words