SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 128
... play . It is this that makes the play's irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of ...
... play . It is this that makes the play's irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of ...
Pagina 245
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the deliberate ... play's many ironies that these lines occur when Ulysses is in process of revealing himself as head of the 245 NOTES.
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the deliberate ... play's many ironies that these lines occur when Ulysses is in process of revealing himself as head of the 245 NOTES.
Pagina 249
... play without moral presuppositions , but although these presuppositions are finally reaffirmed , and thereby deepened and renewed , hostility and blindness towards them are so strongly built into the play's structure that one can only ...
... play without moral presuppositions , but although these presuppositions are finally reaffirmed , and thereby deepened and renewed , hostility and blindness towards them are so strongly built into the play's structure that one can only ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words
Informații bibliografice
| Titlu | SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
| Autor | L.C. KNIGHTS |
| Publicată | 1960 |
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