SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 19
Pagina 71
... play leaves us . That , however , was not where Shakespeare was con- tent to leave himself for long . Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's ...
... play leaves us . That , however , was not where Shakespeare was con- tent to leave himself for long . Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's ...
Pagina 128
... play . It is this that makes the play's irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of ...
... play . It is this that makes the play's irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of ...
Pagina 245
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the ... play's many ironies that these lines occur when Ulysses This is also an appropriate place to refer to Paul 245 NOTES.
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the ... play's many ironies that these lines occur when Ulysses This is also an appropriate place to refer to Paul 245 NOTES.
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
7 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words