SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 108
... Perhaps a final question remains . It has been argued here that at the centre of the action is the complete endorse- ment of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion ...
... Perhaps a final question remains . It has been argued here that at the centre of the action is the complete endorse- ment of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion ...
Pagina 207
... perhaps you may ; but certainly not in such a way that you seem about to make an aggressive attack . The Queen's immediate reaction , which acts as a stage direction indicating Hamlet's whole bearing , is , ' What wilt thou do ? thou ...
... perhaps you may ; but certainly not in such a way that you seem about to make an aggressive attack . The Queen's immediate reaction , which acts as a stage direction indicating Hamlet's whole bearing , is , ' What wilt thou do ? thou ...
Pagina 213
L.C. KNIGHTS. IV I HERE is , perhaps , no well - known passage in TShakespeare that has been found so perplexing as that ... Perhaps we need not be too much dismayed ; the 1 Quoted in the Furness Variorum edition . meaning may be simpler ...
L.C. KNIGHTS. IV I HERE is , perhaps , no well - known passage in TShakespeare that has been found so perplexing as that ... Perhaps we need not be too much dismayed ; the 1 Quoted in the Furness Variorum edition . meaning may be simpler ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words