SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
Din interiorul cărții
Rezultatele 1 - 3 din 32
Pagina 108
Perhaps a final question remains . It has been argued here that at the centre of the action is the complete endorsement of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion ...
Perhaps a final question remains . It has been argued here that at the centre of the action is the complete endorsement of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion ...
Pagina 139
It is perhaps this that makes the tragedy so sombre in its realism , so little comforting to the romantic imagination . For Shakespeare has chosen as his tragic theme the impulse that man perhaps most readily associates with a ...
It is perhaps this that makes the tragedy so sombre in its realism , so little comforting to the romantic imagination . For Shakespeare has chosen as his tragic theme the impulse that man perhaps most readily associates with a ...
Pagina 213
IV I HERE is , perhaps , no well - known passage in been found so as that in which Hamlet communes with himself between the preparation of the play to catch the conscience of the king and its performance - ' To be , or not to be ...
IV I HERE is , perhaps , no well - known passage in been found so as that in which Hamlet communes with himself between the preparation of the play to catch the conscience of the king and its performance - ' To be , or not to be ...
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words