SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 22
Pagina 14
... pattern , there- fore , is to acknowledge that there are other ways of looking at the plays which also make sense and that ' inter- pretation ' is a risky business : there is a ' liberty of inter- preting ' and truth is no man's ...
... pattern , there- fore , is to acknowledge that there are other ways of looking at the plays which also make sense and that ' inter- pretation ' is a risky business : there is a ' liberty of inter- preting ' and truth is no man's ...
Pagina 15
... pattern of development that makes sense : it is not the only pattern , for what we see depends partly at least on the set of our own interests , and different generations , different indivi- duals , ask different questions of any work ...
... pattern of development that makes sense : it is not the only pattern , for what we see depends partly at least on the set of our own interests , and different generations , different indivi- duals , ask different questions of any work ...
Pagina 19
... pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ' convention ' to naturalism ; it means that within the formal pattern Shakespeare can make us ...
... pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ' convention ' to naturalism ; it means that within the formal pattern Shakespeare can make us ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words