SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 14
... pattern , therefore , is to acknowledge that there are other ways of looking at the plays which also make sense and that ' interpretation ' is a risky business : there is a ' liberty of interpreting ' and truth is no man's particular ...
... pattern , therefore , is to acknowledge that there are other ways of looking at the plays which also make sense and that ' interpretation ' is a risky business : there is a ' liberty of interpreting ' and truth is no man's particular ...
Pagina 15
... pattern of development that makes sense : it is not the only pattern , for what we see depends partly at least on the set of our own interests , and different generations , different individuals , ask different questions of any work of ...
... pattern of development that makes sense : it is not the only pattern , for what we see depends partly at least on the set of our own interests , and different generations , different individuals , ask different questions of any work of ...
Pagina 194
L.C. KNIGHTS. the man convinced of spiritual values life is a coherent pattern in which the ending has its due place and , because it is part of a pattern , itself leads into the beginning . An over - strong terror of death is often one ...
L.C. KNIGHTS. the man convinced of spiritual values life is a coherent pattern in which the ending has its due place and , because it is part of a pattern , itself leads into the beginning . An over - strong terror of death is often one ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words