SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 66
L.C. KNIGHTS. mode of judgment based entirely on the subjective ground of passion and will . Hector is there to provide the apt comment ,The reasons you allege do more conduce To the hot passion of distemper'd blood Than to make up a ...
L.C. KNIGHTS. mode of judgment based entirely on the subjective ground of passion and will . Hector is there to provide the apt comment ,The reasons you allege do more conduce To the hot passion of distemper'd blood Than to make up a ...
Pagina 210
... passion ' - that is , as Dover Wilson explains , arrested or taken prisoner ( " lapsed ' ) by circumstances and passion . Hamlet , as everyone says , is an intellectual , but he does little enough effective thinking on the moral and ...
... passion ' - that is , as Dover Wilson explains , arrested or taken prisoner ( " lapsed ' ) by circumstances and passion . Hamlet , as everyone says , is an intellectual , but he does little enough effective thinking on the moral and ...
Pagina 256
... passion pursued to the end , ' says Berdyaev , ' has any positive content . All evil consumes itself . Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably developed by ...
... passion pursued to the end , ' says Berdyaev , ' has any positive content . All evil consumes itself . Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably developed by ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words