SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina ix
... particular audience . Shakespeare however could have satisfied his audience in very different ways from those that he did in fact choose to follow , so it does not seem rash to assume that he wrote about what interested him . I have ...
... particular audience . Shakespeare however could have satisfied his audience in very different ways from those that he did in fact choose to follow , so it does not seem rash to assume that he wrote about what interested him . I have ...
Pagina 108
... particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal , it has also the imper- sonality that comes from a self - forgetful concentration ...
... particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal , it has also the imper- sonality that comes from a self - forgetful concentration ...
Pagina 191
... particular state of mind or consciousness . It is an extremely complex state of mind , in which reason and emotion , attitudes towards the self and towards other persons and the world at large , are revealed both directly and through a ...
... particular state of mind or consciousness . It is an extremely complex state of mind , in which reason and emotion , attitudes towards the self and towards other persons and the world at large , are revealed both directly and through a ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words