SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina ix
Each drama , each comedy raises one or more problems — not only those of the particular play but those resulting from an ever more serious application of thought , seconded by emotion , to the infinitely various aspects of the human ...
Each drama , each comedy raises one or more problems — not only those of the particular play but those resulting from an ever more serious application of thought , seconded by emotion , to the infinitely various aspects of the human ...
Pagina 108
It has been argued here that at the centre of the action is the complete endorsement of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal ...
It has been argued here that at the centre of the action is the complete endorsement of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal ...
Pagina 191
III I TH HE point of view that I am putting forward is that what we have in Hamlet — as in Othello and , less successfully , in Timon - is the exploration and implicit criticism of a particular state of mind or consciousness .
III I TH HE point of view that I am putting forward is that what we have in Hamlet — as in Othello and , less successfully , in Timon - is the exploration and implicit criticism of a particular state of mind or consciousness .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words