SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 8
... night's ' black contagious breath ' . And in the two and a half lines from Macbeth there is more going on than in the three lines from King John . Not only is the coming on of night vividly evoked , and with it a sensation of moral ...
... night's ' black contagious breath ' . And in the two and a half lines from Macbeth there is more going on than in the three lines from King John . Not only is the coming on of night vividly evoked , and with it a sensation of moral ...
Pagina 112
... night strangles the travelling lamp . Is't night's predominance , or the day's shame , That darkness does the face of earth entomb , When living light should kiss it ? ( 11. iv . 6-10 ) In none of the tragedies is there anything ...
... night strangles the travelling lamp . Is't night's predominance , or the day's shame , That darkness does the face of earth entomb , When living light should kiss it ? ( 11. iv . 6-10 ) In none of the tragedies is there anything ...
Pagina 187
... night long ; And then , they say , no spirit dare stir abroad ; The nights are wholesome ; then no planets strike , No fairy takes , nor witch hath power to charm , So hallow'd and so gracious is that time . Now I cannot believe that ...
... night long ; And then , they say , no spirit dare stir abroad ; The nights are wholesome ; then no planets strike , No fairy takes , nor witch hath power to charm , So hallow'd and so gracious is that time . Now I cannot believe that ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words