SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 35
... ness to meet , experience and contemplate all that is most deeply disturbing in our common fate . The sense of life's tragic issues comes to different men in different ways . One of the ways in which it came to Shakespeare is not ...
... ness to meet , experience and contemplate all that is most deeply disturbing in our common fate . The sense of life's tragic issues comes to different men in different ways . One of the ways in which it came to Shakespeare is not ...
Pagina 54
... ness that allows us to say that Shakespeare is now wholly within his material . As a result the play has that doubleness which , as T. S. Eliot says , is a characteristic of the greatest poetry [ 16 ] , and the more obvious qualities of ...
... ness that allows us to say that Shakespeare is now wholly within his material . As a result the play has that doubleness which , as T. S. Eliot says , is a characteristic of the greatest poetry [ 16 ] , and the more obvious qualities of ...
Pagina 108
... ness which , in any full and responsive reading of King Lear , we are bound to attribute to them . Perhaps a final question remains . It has been argued here that at the centre of the action is the complete endorse- ment of a particular ...
... ness which , in any full and responsive reading of King Lear , we are bound to attribute to them . Perhaps a final question remains . It has been argued here that at the centre of the action is the complete endorse- ment of a particular ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words