SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 122
... nature , however inscrutable , is basically bene- ficent ' ; he does not say that there is ' in nature a core of tenderness , which lies even deeper than pride or cruelty ' [ 9 ] . He says though it takes the whole of King Lear to say ...
... nature , however inscrutable , is basically bene- ficent ' ; he does not say that there is ' in nature a core of tenderness , which lies even deeper than pride or cruelty ' [ 9 ] . He says though it takes the whole of King Lear to say ...
Pagina 123
... nature in Macbeth . 3 There is no vague ' philosophy of nature ' in Macbeth . The nature against which the ' unnaturalness ' of the Macbeth evil is defined and judged is human nature ; and essential characteristics of that nature - its ...
... nature in Macbeth . 3 There is no vague ' philosophy of nature ' in Macbeth . The nature against which the ' unnaturalness ' of the Macbeth evil is defined and judged is human nature ; and essential characteristics of that nature - its ...
Pagina 254
... nature and the wider nature from which it is born . Taken by itself , of course , the phrase is not particularly remarkable ; it is only in its context that it has this subtle force of suggestion . But there seems no end to the subtle ...
... nature and the wider nature from which it is born . Taken by itself , of course , the phrase is not particularly remarkable ; it is only in its context that it has this subtle force of suggestion . But there seems no end to the subtle ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words