SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 52
I hope this does not seem like putting Sha kespeare on the rack of a demand for a moral at any price . Shakespeare never explicitly points a moral ; and it will be some years before he fully reveals in terms of the awakened imagination ...
I hope this does not seem like putting Sha kespeare on the rack of a demand for a moral at any price . Shakespeare never explicitly points a moral ; and it will be some years before he fully reveals in terms of the awakened imagination ...
Pagina 134
My second point , therefore , concerns the nature of moral judgment when this is equated with the imaginative apprehension of life working at its highest power . There is , as I have said , no question of the application of a formal ...
My second point , therefore , concerns the nature of moral judgment when this is equated with the imaginative apprehension of life working at its highest power . There is , as I have said , no question of the application of a formal ...
Pagina 249
Heilman , he says , suggests that ' such fundamental questions as whether nature is a moral order in the universe are not determined until the end of the play ' ; whereas , on the contrary , " The reader knows from the outset , and does ...
Heilman , he says , suggests that ' such fundamental questions as whether nature is a moral order in the universe are not determined until the end of the play ' ; whereas , on the contrary , " The reader knows from the outset , and does ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words