SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 12
Because that separation was achieved by human means alone , he receded , but to inhabit as it were the deeps of the mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of ...
Because that separation was achieved by human means alone , he receded , but to inhabit as it were the deeps of the mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of ...
Pagina 191
III I TH HE point of view that I am putting forward is that what we have in Hamlet — as in Othello and , less successfully , in Timon - is the exploration and implicit criticism of a particular state of mind or consciousness .
III I TH HE point of view that I am putting forward is that what we have in Hamlet — as in Othello and , less successfully , in Timon - is the exploration and implicit criticism of a particular state of mind or consciousness .
Pagina 211
Yet Coleridge can distinguish between the kind of conscientiousness which can stultify the growth of the mind and the kind which is its condition . A strong sense of duty may be ' the effect of selfness in a mind incapable of gross self ...
Yet Coleridge can distinguish between the kind of conscientiousness which can stultify the growth of the mind and the kind which is its condition . A strong sense of duty may be ' the effect of selfness in a mind incapable of gross self ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words