SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 16
... merely that- even Titus Andronicus , with its literary and derived hor- rors , points forward to the preoccupation with a truly appalling inhumanity that culminates in King Lear - but there is a sense in which they derive not from ...
... merely that- even Titus Andronicus , with its literary and derived hor- rors , points forward to the preoccupation with a truly appalling inhumanity that culminates in King Lear - but there is a sense in which they derive not from ...
Pagina 92
... mere summoners are thunderbolts ) , is yet like it in the exaction of merely retributive penalties . ' Unwhipp'd of justice ' is indeed one of those revealing phrases that , simply by what it takes for granted , sums up a fundamental ...
... mere summoners are thunderbolts ) , is yet like it in the exaction of merely retributive penalties . ' Unwhipp'd of justice ' is indeed one of those revealing phrases that , simply by what it takes for granted , sums up a fundamental ...
Pagina 190
... merely see the evil about him , does not merely react to it with loath- ing and rejection , he allows his vision to activate something within himself — say , if you like , his now feeling of corruption - and so to produce that state of ...
... merely see the evil about him , does not merely react to it with loath- ing and rejection , he allows his vision to activate something within himself — say , if you like , his now feeling of corruption - and so to produce that state of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words