SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 9
It is only when the mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living structure . If that structure of meaning seems especially ...
It is only when the mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living structure . If that structure of meaning seems especially ...
Pagina 131
Commentators have been exercised to determine the precise meaning of the words with which he greets it - ' She should have died ... Macbeth is groping for meanings , trying to conceive a time when he might have met such a situation with ...
Commentators have been exercised to determine the precise meaning of the words with which he greets it - ' She should have died ... Macbeth is groping for meanings , trying to conceive a time when he might have met such a situation with ...
Pagina 216
It is of course true that poetry that without loss of meaning could be put into other words would cease to be poetry . But we all know that there is a great deal of poetry of which we can usefully make for ourselves a tentative prose ...
It is of course true that poetry that without loss of meaning could be put into other words would cease to be poetry . But we all know that there is a great deal of poetry of which we can usefully make for ourselves a tentative prose ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words