SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 38
Sonnet LX is urgent and forthright ; there are powerful phrases , but none that tempts us to linger on a beauty that is extrinsic to the matter in hand . Shakespeare , we feel , is fully engaged in the imaginative evocation of the ...
Sonnet LX is urgent and forthright ; there are powerful phrases , but none that tempts us to linger on a beauty that is extrinsic to the matter in hand . Shakespeare , we feel , is fully engaged in the imaginative evocation of the ...
Pagina 49
... it is necessary to see how the constant sense of time - of time as mere sequence , bringing change -shapes the matter before us . Yet to put the matter thus , necessary as it is , is to give a partial and one - sided impression .
... it is necessary to see how the constant sense of time - of time as mere sequence , bringing change -shapes the matter before us . Yet to put the matter thus , necessary as it is , is to give a partial and one - sided impression .
Pagina 222
It does not matter that in Hamlet's mind the thought of suicide merges with the thought of killing the king ; what matters is the quite unambiguous sense of health giving way to disease , of a loss of purpose and a lapsing from positive ...
It does not matter that in Hamlet's mind the thought of suicide merges with the thought of killing the king ; what matters is the quite unambiguous sense of health giving way to disease , of a loss of purpose and a lapsing from positive ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words