SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 89
... madness , lion in prey ' ( III . iv . 90-5 ) . This , we may say , is the Edmund philosophy , though presented with a violence of realization quite foreign to the Edmund of the play . ' Lechery ? ' says Lear in his madness when finally ...
... madness , lion in prey ' ( III . iv . 90-5 ) . This , we may say , is the Edmund philosophy , though presented with a violence of realization quite foreign to the Edmund of the play . ' Lechery ? ' says Lear in his madness when finally ...
Pagina 205
... madness . Was't Hamlet wrong'd Laertes ? Never Hamlet ; If Hamlet from himself be ta'en away , And when he's not himself does wrong Laertes , Then Hamlet does it not ; Hamlet denies it . Who does it then ? His madness ; if't be so ...
... madness . Was't Hamlet wrong'd Laertes ? Never Hamlet ; If Hamlet from himself be ta'en away , And when he's not himself does wrong Laertes , Then Hamlet does it not ; Hamlet denies it . Who does it then ? His madness ; if't be so ...
Pagina 250
... madness to the action of his daughters - that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . ' The real horror lies not in the fact that Goneril and Regan can cause the death of ...
... madness to the action of his daughters - that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . ' The real horror lies not in the fact that Goneril and Regan can cause the death of ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words