SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 47
... Lord Shallow , -be what thou wilt ; I am fortunes steward - get on thy boots : we'll ride all night . O sweet Pistol ! Away Bardolph ! [ Exit BARDOLPH ] Come , Pistol , utter more to me ; and withal devise something to do thyself good ...
... Lord Shallow , -be what thou wilt ; I am fortunes steward - get on thy boots : we'll ride all night . O sweet Pistol ! Away Bardolph ! [ Exit BARDOLPH ] Come , Pistol , utter more to me ; and withal devise something to do thyself good ...
Pagina 62
... lords ! why , even already They clap the lubber Ajax on the shoulder ... ( 111. iii . 123-39 ) That the Greeks ... lord , Keeps honour bright : to have done is to hang Quite out of fashion , like a rusty mail In monumental mockery ...
... lords ! why , even already They clap the lubber Ajax on the shoulder ... ( 111. iii . 123-39 ) That the Greeks ... lord , Keeps honour bright : to have done is to hang Quite out of fashion , like a rusty mail In monumental mockery ...
Pagina 202
... lord , have better com- merce than with honesty ? Hamlet . Ay , truly ; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness ; this was sometime ...
... lord , have better com- merce than with honesty ? Hamlet . Ay , truly ; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness ; this was sometime ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words