SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 9
It is only when the mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living structure . If that structure of meaning seems especially ...
It is only when the mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living structure . If that structure of meaning seems especially ...
Pagina 14
What they point towards is an organization of experience so living and complex that when we are engaged in it , living it to the full extent of our powers , we have no need of token definitions . It is only later , when we wish to give ...
What they point towards is an organization of experience so living and complex that when we are engaged in it , living it to the full extent of our powers , we have no need of token definitions . It is only later , when we wish to give ...
Pagina 194
An over - strong terror of death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming reconciled to death , Mr. Eliot can show ...
An over - strong terror of death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming reconciled to death , Mr. Eliot can show ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words