SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 7
... lines , in short , reverberate , and there is a process of what I. A. Richards calls interinanimation between the image on which we are focusing and some scores of others throughout the play . And this , surely , is one of the ways in ...
... lines , in short , reverberate , and there is a process of what I. A. Richards calls interinanimation between the image on which we are focusing and some scores of others throughout the play . And this , surely , is one of the ways in ...
Pagina 8
... lines from Macbeth are of course more compressed and more striking : ' light thickens ' has an element of surprise which is lacking in the trope about night's ' black contagious breath ' . And in the two and a half lines from Macbeth ...
... lines from Macbeth are of course more compressed and more striking : ' light thickens ' has an element of surprise which is lacking in the trope about night's ' black contagious breath ' . And in the two and a half lines from Macbeth ...
Pagina 70
... lines without sensing behind them the urgency of a whole personality in the toils , —all these make plain how remote this is from the poetry of statement and exposition . The lines pound with an energy that can find no issue , and we ...
... lines without sensing behind them the urgency of a whole personality in the toils , —all these make plain how remote this is from the poetry of statement and exposition . The lines pound with an energy that can find no issue , and we ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words