SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 110
... lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual worlds . Its meaning , therefore , is revealed in the expansion and unfolding of what lies within the initial ...
... lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual worlds . Its meaning , therefore , is revealed in the expansion and unfolding of what lies within the initial ...
Pagina 121
... lies behind her invocation , - All bless'd secrets , All you unpublish'd virtues of the earth , Spring with my tears ! be aidant and remediate In the good man's distress ! But it is because of her love and pity ( ' the good man ' is the ...
... lies behind her invocation , - All bless'd secrets , All you unpublish'd virtues of the earth , Spring with my tears ! be aidant and remediate In the good man's distress ! But it is because of her love and pity ( ' the good man ' is the ...
Pagina 122
... lies behind the use of ' nature ' in Macbeth . Since the insight stems from a mode of being and is inseparable from it , it cannot be summed up in a formula . But in matters of this kind simple formulations have their uses , if only as ...
... lies behind the use of ' nature ' in Macbeth . Since the insight stems from a mode of being and is inseparable from it , it cannot be summed up in a formula . But in matters of this kind simple formulations have their uses , if only as ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words