SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 3
... I should say , is much less impersonal than the old . Whereas in the older view Shakespeare was the god - like creator of a peopled world , projecting — it is true - his own spirit into the inhabitants , but remaining essentially ...
... I should say , is much less impersonal than the old . Whereas in the older view Shakespeare was the god - like creator of a peopled world , projecting — it is true - his own spirit into the inhabitants , but remaining essentially ...
Pagina 37
My love is strengthen'd , though more weak in seeming ; I love not less , though less the show appear : That love is merchandiz'd whose rich esteeming The owner's tongue doth publish everywhere . Our love was new , and then but in the ...
My love is strengthen'd , though more weak in seeming ; I love not less , though less the show appear : That love is merchandiz'd whose rich esteeming The owner's tongue doth publish everywhere . Our love was new , and then but in the ...
Pagina 53
his developing insight is taking ; and it seems to me that what is coming into consciousness is nothing less than an awareness of how men make the world that they inhabit , an understanding of the relation between what men are and the ...
his developing insight is taking ; and it seems to me that what is coming into consciousness is nothing less than an awareness of how men make the world that they inhabit , an understanding of the relation between what men are and the ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words