SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 3
... less impersonal than the old . Whereas in the older view Shakespeare was the god - like creator of a peopled world , projecting — it is true - his own spirit into the inhabitants , but remaining essentially the analyst of ' their ...
... less impersonal than the old . Whereas in the older view Shakespeare was the god - like creator of a peopled world , projecting — it is true - his own spirit into the inhabitants , but remaining essentially the analyst of ' their ...
Pagina 37
... less , though less the show appear : That love is merchandiz'd whose rich esteeming The owner's tongue doth publish everywhere . Our love was new , and then but in the spring , When I was wont to greet it with my lays ; As Philomel in ...
... less , though less the show appear : That love is merchandiz'd whose rich esteeming The owner's tongue doth publish everywhere . Our love was new , and then but in the spring , When I was wont to greet it with my lays ; As Philomel in ...
Pagina 191
... less what we have in Hamlet — as in Othello and , less successfully , in Timon - is the exploration and implicit criticism of a particular state of mind or consciousness . It is an extremely complex state of mind , in which reason and ...
... less what we have in Hamlet — as in Othello and , less successfully , in Timon - is the exploration and implicit criticism of a particular state of mind or consciousness . It is an extremely complex state of mind , in which reason and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words