SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 3
... kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely dominant ; and between critics sharing a roughly similar manner of approach there ...
... kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely dominant ; and between critics sharing a roughly similar manner of approach there ...
Pagina 8
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which meanings take place in poetry is determined by the kind and degree of activity ...
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which meanings take place in poetry is determined by the kind and degree of activity ...
Pagina 122
... kind simple formulations have their uses , if only as a way of ensuring that necessary complexity has not , in the course of argument , degenerated into mere verbal complication , or that mountains are not being made out of molehills ...
... kind simple formulations have their uses , if only as a way of ensuring that necessary complexity has not , in the course of argument , degenerated into mere verbal complication , or that mountains are not being made out of molehills ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words