SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
Din interiorul cărții
Rezultatele 1 - 3 din 25
Pagina 20
358 ) , was not entirely because Cade offered an opportunity for a bit of incidental comedy ; we may fairly assume it was because he could not suppress his interest in the actuality of the demagogue , in the private motives and muddles ...
358 ) , was not entirely because Cade offered an opportunity for a bit of incidental comedy ; we may fairly assume it was because he could not suppress his interest in the actuality of the demagogue , in the private motives and muddles ...
Pagina 23
316-35 ) In the presentation of Richard , then , there is a new psychological interest [ 6 ] . ( It is significant that Shakespeare drew on More's vivid and dramatic presentation in his Life of Richard III [ 7 ] . ) ...
316-35 ) In the presentation of Richard , then , there is a new psychological interest [ 6 ] . ( It is significant that Shakespeare drew on More's vivid and dramatic presentation in his Life of Richard III [ 7 ] . ) ...
Pagina 246
... and clearly there are dominant interests that connect one play to another , even though other plays that ( so far as ... in the years immediately preceding King Lear are in fact closely connected in theme and controlling interest .
... and clearly there are dominant interests that connect one play to another , even though other plays that ( so far as ... in the years immediately preceding King Lear are in fact closely connected in theme and controlling interest .
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words