SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 20
... interest in the actuality of the demagogue , in the private motives and muddles that at any time may make their impact- transient or more lasting on the public world . Much of King Henry VI is , as it were , action seen at a distance ...
... interest in the actuality of the demagogue , in the private motives and muddles that at any time may make their impact- transient or more lasting on the public world . Much of King Henry VI is , as it were , action seen at a distance ...
Pagina 23
... interest in the Machi- avel , the public figure , is inseparable from the psycho- logical interest in the man with a grudge against the world . I have no brother , I am like no brother ; And this word ' love ' , which greybeards call ...
... interest in the Machi- avel , the public figure , is inseparable from the psycho- logical interest in the man with a grudge against the world . I have no brother , I am like no brother ; And this word ' love ' , which greybeards call ...
Pagina 36
... interest the Sonnets have for us is that in them , within the limitations of a highly conventional form , we can see ... interests are most deeply engaged , we need to be alert to the varied potency of the language . It is only ...
... interest the Sonnets have for us is that in them , within the limitations of a highly conventional form , we can see ... interests are most deeply engaged , we need to be alert to the varied potency of the language . It is only ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words