SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 43
67-103 ) , the word ' dead ' ( or ' death ' ) tolls with monotonous insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of ...
67-103 ) , the word ' dead ' ( or ' death ' ) tolls with monotonous insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of ...
Pagina 124
and that these sometimes , as in Act I. scenes iv . and vi . , seem to be dwelt on with a special insistence . At the end of the play , when Macbeth thinks of what he has lost , it is not ' honour , wealth and ease in waning age ...
and that these sometimes , as in Act I. scenes iv . and vi . , seem to be dwelt on with a special insistence . At the end of the play , when Macbeth thinks of what he has lost , it is not ' honour , wealth and ease in waning age ...
Pagina 205
... sexual insistence . Grant that he is deeply wounded - as who would not be ? — by his mother's conduct : why , she would hang on him [ her first husband ] As if increase of appetite had grown By what it fed on .
... sexual insistence . Grant that he is deeply wounded - as who would not be ? — by his mother's conduct : why , she would hang on him [ her first husband ] As if increase of appetite had grown By what it fed on .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words