SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 3
... own spirit into the inhabitants , but remaining essentially the analyst of ' their ' passions , he is now felt as much more immediately engaged in 3 On Some Contemporary Trends in Shakespeare Criticism and Other Preliminary Considerations.
... own spirit into the inhabitants , but remaining essentially the analyst of ' their ' passions , he is now felt as much more immediately engaged in 3 On Some Contemporary Trends in Shakespeare Criticism and Other Preliminary Considerations.
Pagina 56
... immediately preceding the great tragedies preoccupations such as these entered deeply into Shakespeare's dramatic poetry . I have already remarked that Shakespeare does not deal with his themes in the manner of one embarking on a ...
... immediately preceding the great tragedies preoccupations such as these entered deeply into Shakespeare's dramatic poetry . I have already remarked that Shakespeare does not deal with his themes in the manner of one embarking on a ...
Pagina 246
... immediately preceding King Lear are in fact closely connected in theme and controlling in- terest . I have tried to indicate some of these connexions in the first Lecture in An Approach to ' Hamlet ' . CHAPTER V 1. Hardy of course comes ...
... immediately preceding King Lear are in fact closely connected in theme and controlling in- terest . I have tried to indicate some of these connexions in the first Lecture in An Approach to ' Hamlet ' . CHAPTER V 1. Hardy of course comes ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words